"Copying Life" (web series) final episode from director Sage Suppa :|: FULL MIX & DIALOGUE EDITING
AICE Camp Kuleshov 2011 video editing contest winner (editor, Lisa White) :|: FULL MIX & SFX
"How Do You Write A Joe Schermann Song" soundtrack preview. Will share examples of post production (sound editing & sound mixing) work upon request, but here are samples of the MIX of the songs.
"Parking Terror" (editor, Adam Siegel) for HitParade Digital in Los Angeles :|: FULL MIX & SFX.
music mixing & recording
"A Really Nice Guy" short film by director Shant Hamassian :|: SCORING ENGINEER
"Horror High - The Musical" a musical with music by Ryan O'Connell :|: MIXING
Bach Cantata 140 - mvt. 1 :|: The String Orchestra of Brooklyn & Ghostlight Chorus
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Bach Cantata 140 - mvt. 3 :|: The String Orchestra of Brooklyn & Ghostlight Chorus
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Haydn Farewell Symphony (No. 45) - mvt. 1 :|: The String Orchestra of Brooklyn
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production & original music
"Call Me Maybe" violin cover by David Wong :|: produced & mixed the audio, and handled production of the video (Gary Ploski, director & Rosie Walunas, editor):
A side hobby of mine, to produce a few fun commercial tracks:
Sample A :|: Keith Ukrisna
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Sample B :|: Keith Ukrisna
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voice over fun
Just for fun as some people like my voice:
VO fun :|: Keith Ukrisna
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gear & software
Pro Tools 10
Logic 9
Lexicon Omega Desktop
Zoom H4N
Studio Projects C4, matched pair
CAD M179
Shure SM57
Presonus Central Station
Alesis M1 Active MKII monitors
Sennheiser HD600 headphones
Shure
E4c in-ear monitors
MacBook Pro 2011 i7
It may be apparent that recording live classical music is the general niche, though we are willing to try and accomodate every genre and need. We do have limited access to some spaces should the need arise. Contact us for more information.